All right, even if you can’t stand 1980s alt-rock, this is amazing:
Capo’d at the 2nd fret, of course.
All right, even if you can’t stand 1980s alt-rock, this is amazing:
Capo’d at the 2nd fret, of course.
The music of Rush is supposed to be a love-it-or-hate-it thing, but somehow I managed to fall in the middle. Long-term, devoted fans don’t always love their early ‘80s material but I think the Permanent Waves-Moving Pictures-Signals era was magnificent. Alex Lifeson’s guitar had a lovely chorus pedal sound which meshed with the synthesizers that the band was experimenting with, and brought out the best in some of their best songs.
It’s thanks to Neil Peart that I learned something about music. A couple of high school jazz band friends had whatever the current Rush concert video was at the time, and could not say enough about Peart’s drumming. One of these guys was a drummer, and the other a serious Rush fan, and I realized that some folks like music not for any song by that artist, but because of the sheer musicianship.
And I hope Geddy Lee and Alex Lifeson keep going in some form.
Rest in peace, Neil Peart.
I’m finally about to drop some new writing stuff, just been as busy as a Border Collie:
And I spent too much time away from the blog again. But there is much more writing stuff coming soon, novels and more.
In the meantime …
I love a catchy song. Also a clever music video. It’s even more cool when the two coincide, such as right here:
Leading lady of so many westerns, and of course Creature from the Black Lagoon. Not to mention being an all around working actress with many credits and an always classy presence in the public eye. Rest in peace.
Some folks no longer with us.
I meant to comment on Harlan Ellison’s passing. A writer who influenced so many people, and probably as much for his never dull, frequently entertaining personality displayed in many public appearances. I was more of a fan in my teen years than when older, but I always enjoyed his comments and just knowing that he was out there.
And, of course, he wrote one of Star Trek‘s greatest episodes:
Also, Steve Ditko. When I was a whippersnapper, I found a torn copy of Doctor Strange Classics in a comic shop, getting it from a reject bunch for something like four-for-a-dollar along with a beat-up Silver Age Tales to Astonish. Ditko’s surrealist, psychedelic art was mind-boggling, and led me to further joy reading his original Spider-Man stories in Marvel Tales.
Here’s a book-themed (and groovy) look at the weird wonder of the art of Ditko:
And . . . Dolores O’Riordan of the Cranberries. The voice of otherworldly nineties Celtic pop music, and a band that was one of the best things about the nineties:
Rest in peace.
And so 2019 begins . . . with an amazing piano rendition of “Limelight” by Rush. I’ve got writing stuff to share in the near future, but for now please enjoy this fantastic music:
A big, big part of my childhood and those of so many others.
I know I’m not the only one who read “Stan’s Soapbox” in the Marvel Comics “Bullpen Bulletins” and hung on every word like it was cosmic wisdom, at least up to a certain age. And there was the narration he did for that Spider-Man cartoon in the early ’80s, and all the other appearances.
Since I was such a nerd about reading credits in the comics, I knew that he didn’t write them all by the time I was reading the comics of the late 70s and early 80s, but he was still this benevolent presence in the background of everything Marvel. And then I found the reprints of old Amazing Spider-Man and others more interesting at some point, and then really discovered Mr. Lee’s talent for cranking these stories out, month after month. Anyone who can write at that level–regular, little time in between, always entertaining–is a great writer.
And this video takes me back to those days when Stan was Marvel Comics (and see the very insightful writing question from an audience member at 1:30). Rest in peace, Stan, and Excelsior!
In honor of recent October weather that belongs no earlier than November, here is Bruno Hrabovsky’s piano rendition of Black Sabbath’s “Snowblind.”
Yes, I know this song is not actually about cold weather precipitation, but it creates a wintery mood anyway.
Reynolds needs no introduction, but it’s little appreciated just how good of an actor he actually was.
Here he is, epically trolling Marlon Brando on The Twilight Zone: