Hobbit Rock, Part III

While seeming like a staple of 70s prog that made its way into 80s hard rock, Hobbit Rock was pervasive enough in its quiet little way to live through punk rock and become part of the unique little pocket of time when there was something called postpunk. Only punk in sharing the DIY ethos, this was a sonic world of flanged and chorused guitars, heavy keyboard atmospherics and abstract and sometimes unsettled lyrics.

Scotland made an impressive contribution to postpunk, exemplified by the career of Simple Minds. Their first album an above average blend of Bowie/Roxy influences, they moved into moodier and more unique territory on a second album nourished by the postpunk currents then starting to flow. While Simple Minds would go on to a more streamlined sound and mass success, Scottish postpunk is also well-represented by the lesser known and short-lived band Scars.

And does Scottish postpunk relate to Hobbit Rock? Yes, indeed, it does, as this Scars song and video demonstrate. Four guys running together, a veritable fellowship, leaving their town and heading to a tower where some sort of evil awaits, while the song fluctuates between the brighter and more melancholy edges of longing.

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