Neil Peart

The music of Rush is supposed to be a love-it-or-hate-it thing, but somehow I managed to fall in the middle.  Long-term, devoted fans don’t always love their early ‘80s material but I think the Permanent Waves-Moving Pictures-Signals era was magnificent. Alex Lifeson’s guitar had a lovely chorus pedal sound which meshed with the synthesizers that the band was experimenting with, and brought out the best in some of their best songs.

It’s thanks to Neil Peart that I learned something about music.  A couple of high school jazz band friends had whatever the current Rush concert video was at the time, and could not say enough about Peart’s drumming.  One of these guys was a drummer, and the other a serious Rush fan, and I realized that some folks like music not for any song by that artist, but because of the sheer musicianship.

And I hope Geddy Lee and Alex Lifeson keep going in some form.

Rest in peace, Neil Peart.

La-La Land Records Has Had Enough of Vinyl

I read over at Film Score Monthly this comment from M.V. Gerhard of soundtrack label La-La Land Records:

It’s not worth our time, space, resources or money.

[Star Trek: The Motion Picture] is our last vinyl. Don’t get me wrong — it did incredibly well (will most likely sell out by year’s end), but we would rather focus on many other cd, blu-ray and film projects.

It’s gratifying when someone in the know confirms one of your pet opinions. I’ve long believed that the decade-plus vinyl revival is a hipster affectation, motivated by the democratizing effect that high-bandwith Internet had on the availability of rare music.

To put it another way: when I was growing up, you had to pay $20 for that imported Robyn Hitchcock & the Egyptians CD single just to get a weird bonus track. Now those rare tracks are all over YouTube, and it’s very hard to be cooler than the other cool people. But thanks to vinyl, large amounts of money can be flushed on a cumbersome, expensive, and fragile format that takes dedication to collect.

Whatever, I still feel like it’s 1987 and visions of a large CD collection are dancing in my head.

And if you want to experience Jerry Goldsmith’s majestic and mysterious score for STAR TREK: THE MOTION PICTURE, get La-La Land’s magnificent 3-CD release.