Been away from the blog for far too long and will have more stuff up soon, including a new short story. In the meantime, just for fun, just because it’s awesome, just because there’s nothing else like it, well, this video speaks for itself:
I read over at Film Score Monthly this comment from M.V. Gerhard of soundtrack label La-La Land Records:
It’s not worth our time, space, resources or money.
[Star Trek: The Motion Picture] is our last vinyl. Don’t get me wrong — it did incredibly well (will most likely sell out by year’s end), but we would rather focus on many other cd, blu-ray and film projects.
It’s gratifying when someone in the know confirms one of your pet opinions. I’ve long believed that the decade-plus vinyl revival is a hipster affectation, motivated by the democratizing effect that high-bandwith Internet had on the availability of rare music.
To put it another way: when I was growing up, you had to pay $20 for that imported Robyn Hitchcock & the Egyptians CD single just to get a weird bonus track. Now those rare tracks are all over YouTube, and it’s very hard to be cooler than the other cool people. But thanks to vinyl, large amounts of money can be flushed on a cumbersome, expensive, and fragile format that takes dedication to collect.
Whatever, I still feel like it’s 1987 and visions of a large CD collection are dancing in my head.
And if you want to experience Jerry Goldsmith’s majestic and mysterious score for STAR TREK: THE MOTION PICTURE, get La-La Land’s magnificent 3-CD release.
I’ve been away from the blog for too long, so I’ll get everything up to speed:
–Belatedly . . . Happy Easter!
–A big congratulations to this year’s Rondo Award winners, announced just this past Sunday night. My book I Cannot, Yet I Must did not win in its category but I honestly did not expect that it would. The competition was stiff indeed, and the winner and runners-up are absolutely deserving. Myself, I’m still just tickled to be a nominee and that I can forever call myself a Rondo-nominated author.
–With Easter recently celebrated and springtime here, it’s time to post some exuberant music. And I can’t imagine anything more exuberant than this thundering, brain-melting, blistering performance by Simple Minds from Newcastle, England in 1982. Enjoy!
Ennio Morricone, with Susanna Rigacci:
He does a great guitar lesson for how to play this song, and he even sounds like Jim Croce singing while he plays.
Much respect also to this guy covering it on 12-string guitar: